Sometimes you just have to deal with dirty wash water

When working on a film or commercial set, I almost always will shoot stills, no matter what my actual job title may be on that particular day. One of my recent projects is working on the latest Super Bowl ad for attorney Thomas J. Henry. In early January, I and the crew were in St. Louis, filming at the Old Post Office downtown, which is a historic building, constructed around 1880, if I remember correctly. It was a very cool location, with some interesting features, such as the statues that original adorned the roof of the building, not being shown in the common area, as well as a set of original post office boxes, which we used as one of the backgrounds in the spot.

I’ve been processing the film from this shoot sporadically, and decided to soup a couple rolls earlier this evening. I’m not sure how it happened, but my wash water was fairly dirty, which resulted in a lot of dust spots on some of the frames. I would normally spot the image in Photoshop to get rid of the dust, but in this case, I decided that I liked the look of them because they added a certain “timelessness” to the images. That’s one of the reasons why I left some of them in (but the main reason was that I was being lazy). One distressing thing is that I think my Nikon F2AS needs to go in for an adjustment; some of the images are slightly back-focused, even though I’m sure I was dead-on with focus most of the time. At any rate, a CLA couldn’t hurt. Here are some frames from the shoot in St. Louis:

 

Bobby comes down the stairs of the Old Post Office in Saint Louis, Missouri, Jan. 2015. Nikon F2AS, CineStill 800T film.

Bobby comes down the stairs of the Old Post Office in Saint Louis, Missouri, Jan. 2015.

Dave on set in the Old Post Office in Saint Louis, Missouri, Jan. 2015. Nikon F2AS; CineStill 800T film.

Dave on set in the Old Post Office in Saint Louis, Missouri, Jan. 2015. [Nikon F2AS; CineStill 800T film]

The Old Post Office was a great location for playing with my Nikkor 16mm f/2.8 fisheye. High ceilings and funky stairs make for some cool perspective shots. In the dark setting, I made a mistake with the CineStill tungsten film by not exposing it at ISO 500 instead of its face-value 800, and I paid the price in lost shadow detail. Lesson learned.

The Old Post Office in Saint Louis, Missouri [Nikon F2AS; CineStill 800T]

The Old Post Office in Saint Louis, Missouri [Nikon F2AS; CineStill 800T]

The client on location in Saint Louis, Missouri. The Old Post Office had a number of great-looking settings. [Nikon F2AS; CineStill 800T film]

The client on location in Saint Louis, Missouri. The Old Post Office had a number of great-looking settings. [Nikon F2AS; CineStill 800T film]

Bobby and Nico on Set in Saint Louis. Nikon F2AS, CineStill 800T film.

Bobby and Nico on set in Saint Louis. [Nikon F2AS; TMax 400 film +1]

On set at the Old Post Office in St. Louis, MO. Nikon F2AS; CineStill 800T film

Andrew and Garrett in the staging area.

One of my favorite characteristics about CineStill 800T film is its ability to handle mixed light & “non-tungsten” light very well. It’s really easy to balance, even if you are shooting without filtration under fluorescent, mercury vapor, or other types of artificial light. It can even be shot unfiltered in daylight and still come out looking good.

waiting on set at the old post office in St. Louis, MO. Photo made with a Nikon F2AS and CineStill film.

Waiting on action. [Nikon F2AS; CineStill 800T film]

On set of the latest Thomas J. Henry Law Super Bowl commercial in St. Louis, Missouri, Jan. 2015. Nikon F2AS. CineStill 800T film.

Nico gets ready to fly the RED Dragon on my DJI Ronin, on set of the latest Thomas J. Henry Law Super Bowl commercial in St. Louis, Missouri, Jan. 2015. [Nikon F2AS; CineStill 800T film]

 

Standing in for the client. [Nikon F2AS; TMax 400 film +1]

Standing in for the client. [Nikon F2AS; TMax 400 film +1]

Rigging the Dragon to fly down a stairwell on my DJI Ronin. [Nikon F2AS; TMax 400 film +1]

Rigging the Dragon to fly down a stairwell on my DJI Ronin. [Nikon F2AS; TMax 400 film +1]

Bobby and Nico in the camera staging area at the old post office. [Nikon F2AS; CineStill 800T film]

Bobby and Nico in the camera staging area at the old post office. [Nikon F2AS; CineStill 800T film]

John in the camera staging area at the old post office. [Nikon F2AS; CineStill 800T film]

John in the camera staging area. [Nikon F2AS; CineStill 800T film]

Nico sits by the Dragon on day three of shooting in St. Louis. [Nikon F2AS; Tmax 400 film +1]

Nico sits by the Dragon on day three of shooting in St. Louis. [Nikon F2AS; Tmax 400 film +1]

DP Nico surveys the frame at the Old Post Office set. [Nikon F2AS; CineStill 800T film]

DP Nico surveys the frame at the Old Post Office set. [Nikon F2AS; CineStill 800T film]

Karissa, taken on set in St. Louis. Nikon F2AS. CineStill 800T film.

G&E super hero Karissa, taken on set in St. Louis. [Nikon F2AS; Tmax 400 film +1]

 

 

 

Advertisements

~ by peakaction on March 4, 2015.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

 
%d bloggers like this: